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  1. Catering & Design
  2. Florals

11 Futuristic Floral Designs From the 2025 Philadelphia Flower Show

The nation’s largest horticultural event returned with the theme "Gardens of Tomorrow."

Sarah Kloepple
March 13, 2025

For the 2025 show, the Northeast chapter of the American Institute of Floral Designers presented 'Elysium in Chaos: A Garden Without Boundaries.' The concept was meant to explore the 'idea of paradise from ancient Greece, while using an unrestrained, maximalist approach,' the chapter shared on social media. A team of 32 floral artists from around the U.S. and England helped produce the exhibit.For the 2025 show, the Northeast chapter of the American Institute of Floral Designers presented "Elysium in Chaos: A Garden Without Boundaries." The concept was meant to explore the "idea of paradise from ancient Greece, while using an unrestrained, maximalist approach," the chapter shared on social media. A team of 32 floral artists from around the U.S. and England helped produce the exhibit.Photo: Courtesy of the Pennsylvania Horticultural SocietyPHILADELPHIA—The future looked lush at this year's Philadelphia Flower Show, which took place at the Pennsylvania Convention Center March 1-9. Produced by the Pennsylvania Horticulture Society, the nation's largest horticultural event returned with the theme "Gardens of Tomorrow," aiming to intertwine the metaphorical vines of innovation and nature.

More than 235,000 attendees came through the show during its nine-day run, and—just as it is every year—the event is a massive team effort between PHS and the more than 200 landscape, floral, and garden vendors who exhibit across 315,000 square feet.

"Every single thing you see on the show floor has a massive team behind it," says Seth Pearsoll, PHS’ vice president and creative director of the show. "By the end of the day, it's a group project that has thousands of people involved."

Pearsoll adds that the futuristic theme was partly chosen to help give attendees agency with the idea that the things they do today can improve the outlook of tomorrow. "The world isn't all dark and scary; if you tend to your plots, both literally and metaphorically, you have a hand in making the world better," he says.

The PHS team also wanted to give gardeners, floral designers, and landscape artists the ability to be forward-thinking in their exhibits and to show off innovative techniques and materials. "We also wanted a theme where they could have fun with the whimsy and magic of an imaginative space," Pearsoll explains.

Every year, a major challenge for the winter-set show is "plant forcing," aka manipulating plants into growing or blooming before their normal season. This year, PHS and GMRdesign forced about 25 cherry trees to bloom for the show's Entrance Garden.

"Whenever you force plant material, you move from science into a little bit of magic," Pearsoll says. "So trying to get it to force just right is a massive challenge. Truth be told, the forcing was probably four days behind where I wanted it to be. We opened the show a little prematurely, but everything started booming gorgeously midweek, and it was incredible."

Floral trends spotted on the show floor this year included the continued tendency of more botanical arrangements, over flowers, that emphasize structure, texture, grass, and leaves. Pearsoll also cited branchwork, negative space, stems, and roots as other design elements that made an impression this year.

Keep scrolling to see 11 futuristic floral designs from this year's PHS Philadelphia Flower Show, with more insights from Pearsoll and GMRdesign's Gary Radin...

This year's Entrance Garden by GMRdesign was titled Future Florentia, and it aimed to embody the vision of flowers as symbols of the future. Attendees entered through a glowing arch tunnel made of 30 LED light arcs before standing under a circular, botanical chandelier made of 450 strands of flowers. 'The Entrance Garden is the first impression of the show theme and sets the mood for the full show experience,' says GMRdesign founder Gary Radin. 'Each year, we look for unique ways to showcase plants and flowers in a dynamic and immersive environment. Given the long history of the show, returning guests expect a 'wow' when they enter.'
This year's Entrance Garden by GMRdesign was titled Future Florentia, and it aimed to embody the vision of flowers as symbols of the future. Attendees entered through a glowing arch tunnel made of 30 LED light arcs before standing under a circular, botanical chandelier made of 450 strands of flowers.

"The Entrance Garden is the first impression of the show theme and sets the mood for the full show experience," says GMRdesign founder Gary Radin. "Each year, we look for unique ways to showcase plants and flowers in a dynamic and immersive environment. Given the long history of the show, returning guests expect a 'wow' when they enter."
Photo: Courtesy of GMRdesign
The scene also featured 25 white Yoshino cherry trees and this water feature, which released soft rain streams around a floral installation.
The scene also featured 25 white Yoshino cherry trees and this water feature, which released soft rain streams around a floral installation.
Photo: Courtesy of GMRdesign
This year's Best in Show - Landscape was awarded to Mark Cook Landscape & Contracting for their exhibit, 'Signature of Time.' The design reflects the journey of life through a blend of architecture, color, texture, and plants from diverse time zones. Pearsoll describes it as a metaphorical garden of the future. 'Every surface or crevice had some kind of interesting design detail,' he says of why it was chosen for one of the top prizes. 'And then, of course, he did blend those two plant palettes together, which is hard to do, putting deciduous plants next to tropical plants.'
This year's Best in Show - Landscape was awarded to Mark Cook Landscape & Contracting for their exhibit, "Signature of Time." The design reflects the journey of life through a blend of architecture, color, texture, and plants from diverse time zones. Pearsoll describes it as a metaphorical garden of the future. "Every surface or crevice had some kind of interesting design detail," he says of why it was chosen for one of the top prizes. "And then, of course, he did blend those two plant palettes together, which is hard to do, putting deciduous plants next to tropical plants."
Photo: Courtesy of the Pennsylvania Horticultural Society
The top winner in the Floral category went to Jennifer Designs for 'Welcoming Wildlife Home.' The whimsical exhibit featured large animals and insects crafted from plant materials gathered at a dining table. It was meant to highlight the crucial role of wildlife in maintaining a healthy ecosystem and demonstrate how thoughtful plant choices and habitat creation support biodiversity and ecological balance. 'There were personality tests that went along with the exhibit, so some audience engagement was involved,' says Pearsoll. 'This told a pollinator story, so it was relatable and featured all kinds of little quality touches. It was just executed really well.'
The top winner in the Floral category went to Jennifer Designs for "Welcoming Wildlife Home." The whimsical exhibit featured large animals and insects crafted from plant materials gathered at a dining table. It was meant to highlight the crucial role of wildlife in maintaining a healthy ecosystem and demonstrate how thoughtful plant choices and habitat creation support biodiversity and ecological balance.

"There were personality tests that went along with the exhibit, so some audience engagement was involved," says Pearsoll. "This told a pollinator story, so it was relatable and featured all kinds of little quality touches. It was just executed really well."
Photo: Courtesy of the Pennsylvania Horticultural Society
A fan favorite from this year's show was this exhibit by renowned floral designers Kazuyuki Ishihara and Iftikhar Ahmed that spanned about 2,000 square feet. Features included elevated platforms covered in vines and roots. 'They did this incredible take on a traditional Japanese teahouse,' Pearsoll says. 'He flew his whole team from Japan to help set it up, along with the contractor from Delaware that we paired him with. The touches, quality, and amount of negative space were incredible.'
A fan favorite from this year's show was this exhibit by renowned floral designers Kazuyuki Ishihara and Iftikhar Ahmed that spanned about 2,000 square feet. Features included elevated platforms covered in vines and roots. "They did this incredible take on a traditional Japanese teahouse," Pearsoll says. "He flew his whole team from Japan to help set it up, along with the contractor from Delaware that we paired him with. The touches, quality, and amount of negative space were incredible."
Photo: Courtesy of the Pennsylvania Horticultural Society
Pearsoll also cites this exhibit by Susan Cohan Gardens as another major crowd-pleaser. It featured water and a reclaimed water tower from New York City. 'The whole garden appeared to be situated in a postindustrial marshland kind of setting,' Pearsoll says. 'It featured really interesting plant material and great use of water.'
Pearsoll also cites this exhibit by Susan Cohan Gardens as another major crowd-pleaser. It featured water and a reclaimed water tower from New York City. "The whole garden appeared to be situated in a postindustrial marshland kind of setting," Pearsoll says. "It featured really interesting plant material and great use of water."
Photo: Courtesy of the Pennsylvania Horticultural Society
For the 2025 show, the Northeast chapter of the American Institute of Floral Designers presented 'Elysium in Chaos: A Garden Without Boundaries.' The concept was meant to explore the 'idea of paradise from ancient Greece, while using an unrestrained, maximalist approach,' the chapter shared on social media. A team of 32 floral artists from around the U.S. and England helped produce the exhibit.
For the 2025 show, the Northeast chapter of the American Institute of Floral Designers presented "Elysium in Chaos: A Garden Without Boundaries." The concept was meant to explore the "idea of paradise from ancient Greece, while using an unrestrained, maximalist approach," the chapter shared on social media. A team of 32 floral artists from around the U.S. and England helped produce the exhibit.
Photo: Courtesy of the Pennsylvania Horticultural Society
Eric Schellack of Arrange LLC, a full-service design company in Haddonfield, N.J., brought 'Thanks for the Meadow (The Future is the Past)' to the show floor this year. The concept was inspired by an NPR story about a couple who moved to a small Vermont town as the pandemic began and planted a flower meadow. 'What began as a simple act grew into a symbol of hope and interconnectedness,' the Arrange team shared at the show. 'The meadow proved that, sometimes, it's the smallest actions that can spark the most profound connections, reminding us of the power of nature and the possibilities of a more harmonious future.'
Eric Schellack of Arrange LLC, a full-service design company in Haddonfield, N.J., brought "Thanks for the Meadow (The Future is the Past)" to the show floor this year. The concept was inspired by an NPR story about a couple who moved to a small Vermont town as the pandemic began and planted a flower meadow. "What began as a simple act grew into a symbol of hope and interconnectedness," the Arrange team shared at the show. "The meadow proved that, sometimes, it's the smallest actions that can spark the most profound connections, reminding us of the power of nature and the possibilities of a more harmonious future."
Photo: Courtesy of the Pennsylvania Horticultural Society
This exhibit by Lankenau Environmental Science Magnet High School students, 'Bloom Where You Are Planted,' imagined what the green classroom of the future will look like.
This exhibit by Lankenau Environmental Science Magnet High School students, "Bloom Where You Are Planted," imagined what the green classroom of the future will look like.
Photo: Courtesy of the Pennsylvania Horticultural Society
Robertson’s Flowers & Events scored the second-highest amount of points in the Floral category with its exhibit, 'Tending Our Roots.' The design takes inspiration from the proverb, 'One generation plants the trees; another gets the shade.” The 'tree of life' figure in the center is drawn from a real-world park in Singapore focused on sustainability and is meant to symbolize the efforts of the current generation in planting seeds for a future filled with environmental benefits. Beneath the canopy is a cityscape 'where our roots connect us through a common weave under the promise of a shared sunrise,' the Robertson's team shared on social media.
Robertson’s Flowers & Events scored the second-highest amount of points in the Floral category with its exhibit, "Tending Our Roots." The design takes inspiration from the proverb, "One generation plants the trees; another gets the shade.” The "tree of life" figure in the center is drawn from a real-world park in Singapore focused on sustainability and is meant to symbolize the efforts of the current generation in planting seeds for a future filled with environmental benefits. Beneath the canopy is a cityscape "where our roots connect us through a common weave under the promise of a shared sunrise," the Robertson's team shared on social media.
Photo: Courtesy of the Pennsylvania Horticultural Society
Tissarose Floral wowed the show's crowd with her exhibit, 'Sower's Symphony,' which put a piano bursting with flowers at center stage. The design was meant to illustrate the idea that just as musical notes create a beautiful melody, the shapes and colors of flowers can combine to make a beautiful arrangement.
Tissarose Floral wowed the show's crowd with her exhibit, "Sower's Symphony," which put a piano bursting with flowers at center stage. The design was meant to illustrate the idea that just as musical notes create a beautiful melody, the shapes and colors of flowers can combine to make a beautiful arrangement.
Photo: Courtesy of the Pennsylvania Horticultural Society
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